Reader Comments on Aardvark Daily 9 January 2003
Note: the comments below are the unabridged
submissions of readers and do
not necessarily reflect the opinions of the publisher.
From: Peter Jenkins For : The Editor (for publication) Subj: AFC Disks... I like this idea, but the problem with it is the artist loses out. There is no way of telling what people are going to copy onto these disks, so how to you pass the AFC fees onto the artists? Should ALL artists get the same money? Dont think so - I could myself bcome an artist just to get a share of the fee. Music quality will go down. Things would change dramatically if AFC was introduced. I could see music stores would only order in a few copies of each title and have CD burners in store for people to make CD's (After all it would be legal...). At the listening posts you could select tracks to burn onto your own CD and take it away. This would be fantastic :)
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Aardvark Replies Yes the issue of apportioning performer royalties is a problem but perhaps an online facility could be provided so that users of AFR disks could register their recordings in return for some additional benefit -- such as being able to download a printable copy of the cover-notes or whatever. Each pack of 10 AFC disks would ship with 10 unique serial numbers (these need only be printed on a piece of paper) and registering to get the cover-notes would simply involve supplying the disk number and the album title. How do APRA fairly apportion the fees they collect for general public performances from restaurants, cafe's and the like?). |
From: Ian McDonald For : The Editor (for publication) Subj: CD Audio's What you propose already exists!! I did some digging as to what CDR Audio and CD-RW Audio are and why the cost twice as much as a normal CDR, CDRW. The answer is that these can be used in a normal PC or those standalone duplicating units sold by Philips etc (which only accept these). The difference in price goes to the recording industry. Have a search on google for CDR Audio or similar phrase and you can find more info. From: Peter For : The Editor (for publication) Subj: Levy on blank CDs Placing a levy on blank CDs is inherently unfair. I use lots of CDs for backing up my data, for storing photos from my digital camera and for GPL software (= Linux distros). Why should some big music corporation get money because I want to store my own files? On the other hand, does the existance of this levy mean it is lawful to copy music CDs as much as you want? They can't have it both ways.
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Aardvark Replies I believe the industry's attitude (at least in Canada) is that the levy does not entitle you to copy music without restriction. It does however allow you to copy CDs you've already bought, but only for your own use. This would represent (for example) making a backup copy or a copy for use in the car. What *I* would like to know is, now that the industry is forcing copy-protected CDs onto the shelves, what justification is there for maintaining such a levy? If such a levy is retained, surely the industry is saying "copy protection on CDs doesn't work" in which case how can they justify annoying people by using it? As you say, they can't have it both ways :-) |
From: Chris For : The Editor (for publication) Subj: Music Royalties I've been doing a bit of thinking about the whole business of copying music, and making sure that artists get paid, as I've been helping some friends put together a song in what's become a makeshift home studio. It's amazing how much work goes into getting just one three minute song to sound decent, and artists definitely deserve some sort of payback. An idea that popped into my mind the other day, was why not put some kind of serial number on CDs, provide an optional online registration service, and offer freebies or discounts eg to concerts for users who register their CD. If each CD can be only registered once, but played anywhere regardless of whether it's registered or not, the original purchaser is going have a distinct advantage over anyone who only has a copy. Like if you have a copied CD, but have to pay twice the price of someone who's supported the artist to get into a concert, isn't that going to be a bit of an incentive to buy their albums? This could even work in with special music CDR media. Instead of charging a royalty fee with the disk, include a serial number on the disk, and once a user has burned what they want to it, allow them to register that unique serialised CD online for a fee, and in return, receive some discounts or other incentives to make their purchase worthwhile. Once a given serialised CD had been registered, making bit-for bit copies would provide the music, but not the incentives, while 'pirates', using serialized CDs would actually be acting as a very cheap distribution chain for the record labels. Of course people could still copy using ordinary CDs, but if you had the choice of a plain ordinary CD copy, and a serialised one that you could register for a fee, and get various benefits from, wouldn't you be just a little annoyed if you found you had to go out and spend way more than what it would have cost you if you'd been able to register your CD on things like concert tickets and various other merchandise? From: paul For : The Editor (for publication) Subj: CDR Tax Don't suggest such a thing. Comrade Helen will jump at the idea of taxing the poor suckers in this country some more. "50% of the tax to me and 50% to the RIANZ" The artist will not see a penny of it. From: Allister Jenks For : The Editor (for publication) Subj: It's even easier than that.... Good grief everybody. It really is so much simpler than you all make out... To fairly apportion the money to the artists, just up the price of the original CD! Even the RIAA could cope with that. ;-D Seriously though, they could make life a lot simpler for themselves by *lowering* the prices, as has been argued on here before. But where's the money for all the middlemen in doing that.Hit Reload For Latest Comments
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