Note: This column represents the opinions
of the writer and as such, is not purported as fact
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I'm seeing a new light on the horizon for both the music industry and its customers...
Forget about paying for bulky and sometimes fragile plastic disks. Forget about
paying for downloads that won't play on anything but devices loaded with heavy
DRM software. Forget about paying on a per-track or per-album basis.
Yes, I reckon the best model the music industry can hope for is a flat-rate,
all you can eat, subscription model.
Let's face it, this model works just fine for a wide range of other services
that involve the publication or access to intellectual property stored or
delivered in an electronic/digital format.
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Do you subscribe to Sky TV? Most Kiwi households do -- and they seem
more than happy to pay a flat-rate fee, regardless of how many hours they
watch of their chosen channels. Likewise, Sky seems to make a damned
fine profit out of those subscriptions.
Want to access the internet? Chances are very good that you're on a flat-rate
access plan that (on dial-up) gives you unlimited hours and (on DSL) gives
you "almost" unlimited data.
Yes, flat-rate subscriptions are a wonderful idea because they minimize the
amount of administrative and accounting work required to bill customers while
providing those customers with an easy-to-budget price.
So here's the plan, which I admit is not new but which is looking more attractive
every day:
The music labels put their entire catalogs online and available for download
free of charge (gasp!).
However, these downloads are encumbered with strong DRM -- which means that they're
useless to anyone who doesn't have the right hardware/software/key combination.
In order to actually use those downloads, customers will have to subscribe to
the service, which will give them a play-key that effectively allows all those
otherwise useless files to be heard.
The labels could then license the necessary firmware to makers of portable
media players (just like Microsoft licenses WMA code) so that you don't have
to use a PC to listen to your downloads.
Right now you might be thinking that this is an awful idea because it means
that you'll no longer be able to buy music. Well guess what -- you've never
been able to buy music.
Those CDs in your collection... you don't own the music on them, just the plastic
they come on -- so this is nothing new.
The *great* thing about this from the music publisher's perspective is that
they get an ongoing revenue stream -- even if they don't release any new
albums. If the public want to keep listening to the tracks they've downloaded
then they have to keep paying the monthly subscription (just like Sky TV and
your ISP service).
The benefit to customers is that they can download and listen to as much music
as their little hard-drives and weary ears will handle -- all for the one
small monthly fee. Woo hoo!
Of course one might think that it's the artists who will suffer under such a
system -- after all, there's only a fixed amount of monthly revenue to be shared
amongst a growing number of performers.
Well, given that there would now be greatly reduced distribution costs, no
retail margins to subtract, and a greater awareness of their music (thus
promising to make concert revenues higher), I don't think they should suffer
that much at all. Other ways around this problem are to structure the subscription
service so that there are various categories with separate subscriptions. eg:
"New Releases" for tracks released in the past 3 months.
The other sad fact of life might be that recording artists may end up getting
paid a fair and reasonable wage for their efforts -- just like the rest of us.
But what about piracy? What about those folks who'll simply hook the
headphone jack of their media player up to a PC and produce MP3 copies without
any DRM then sell or make those files available for download?
Well get over it. This already happens and always will -- just as it is
possible to view Sky TV's UHF service for free through a simple software
download. But, just as this hasn't really hurt Sky's profits, I don't think
piracy will stop the recording labels from making a profit either - providing
their pricing is fair and reasonable in the first place.
Tell us all and see what others have to say in
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