Note: This column represents the opinions
of the writer and as such, is not purported as fact
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As reported earlier this week,
the battle over revisions to the Copyright Act are continuing, with
those in favour of stronger controls facing off against those wanting
more personal freedoms.
I predict that there will be a huge amount of debate and acrimony over
the issue of copyright in the next few years, as those who invest in the
production and marketing of intellectual property seek to protect themselves
from the perceived threat that modern technology represents.
Whether file-sharing, CD burners and the ubiquitous MP3 format have harmed
or enhanced the sales of CDs appears to be a moot point.
In Australia, the recording industry claims they're suffering, despite the
fact that sales volumes are actually up on last year.
This Reuters report
however, claims that globally, music sales in 2003 were down by 7.6 percent
on the previous year and (of course) they're attributing that decline to
the type of piracy that modern technology makes so easy.
The Aardvark PC-Based Digital
Entertainment Centre Project
Yes, at last, this feature
has been updated again! (31 Mar 2003)
Maybe they ought to look a little closer to home.
I can't think of the last time I heard a new album out of the USA or Europe
that struck me as being worth downloading, let alone forking out good money
for.
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As ever, the recording companies are keen to blame everyone but themselves.
Could it be that their recent strategy of plucking barely pubescent teens
off the street, teaching them to sing a couple of catchy poppy songs,
hiring a good director to whip up three minutes of snazzy video and then
foisting them on the public is backfiring?
We all know that this strategy is designed to keep the recording industry's
costs as low as possible.
When you pluck an unknown off the street and promise them "pop star" status,
they'll gladly sign a contract that pays virtually no royalties on their first
album -- promising instead that they'll make their money further down the road.
Of course, as we all know, when you're deliberately creating one-hit-wonders,
there won't be any successful follow-up albums, so the recording companies
get to pocket all the revenue from those artists' 15-minutes of fame.
Is it any wonder therefore, that consumers simply can't be bothered buying
(or even downloading) the formulaic trash that the studios are manufacturing?
But back to copyright...
Here in NZ, the recording industry is demanding that if consumers are allowed
to format-shift (ie: copy) the music they've legally purchased, then some
compensation ought to be involved.
Excuse me? Compensation for what??
If they're not *very* careful, the recording industry may well find that they've
backed themselves into a mighty deep ditch -- like their peers in Canada
appear to have done.
To appease the recording industry over there, the Canadian government has levied
a media-levy (aka tax) on every CDR sold. The idea is that this levy is then
passed on to those artists who have lost money due to legal (under Canadian law)
copying for personal use.
Unfortunately, a court recently ruled that since copying music for personal
use is legal, and since the artists are effectively (by way of the media levy)
receiving compensation for such copying, then those P2P networks that the industry
hates so very much must also be legal. Oh, the irony!
Meanwhile, here in New Zealand, we'll just have to live with the fact that
every time we burn a backup copy of a music CD, or create our own compilation
disc from tracks ripped off commercial CDs we've legally bought and paid for,
we're breaking the law.
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A big thanks to Managed Internet Solutions
for offering to provide this service.
You can access the new forums over at
aardvarkforums.co.nz
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